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fix(quotes): user reports
This commit is contained in:
Miodec
parent
e8d9ce63da
commit
63aad7c42f
7 changed files with 24 additions and 94 deletions
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@ -638,5 +638,7 @@
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["moisturize", "moisturise"],
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["moisturized", "moisturised"],
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["moisturizes", "moisturises"],
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["moisturizing", "moisturising"]
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["moisturizing", "moisturising"],
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["favoring", "favouring"],
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["marvelous", "marvellous"]
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]
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@ -86,7 +86,7 @@
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"length": 235
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},
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{
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"text": "public void AddAtIndex(int index, int elem) {\n\tif (index < 0 || index > Size()) {\n\t\tConsole.Writeline(\"index out of bounds\");\n\t}\n\tNode curr = null;\n\tNode newNode = new Node(item);\n\tif (index != 0) {\n\t\tcurr = GetNodeAtIndex(index - 1);\n\t}\n\tSetTail(curr, newNode);\n}",
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"text": "public void AddAtIndex(int index, int elem) {\n\tif (index < 0 || index > Size()) {\n\t\tConsole.WriteLine(\"index out of bounds\");\n\t}\n\tNode curr = null;\n\tNode newNode = new Node(item);\n\tif (index != 0) {\n\t\tcurr = GetNodeAtIndex(index - 1);\n\t}\n\tSetTail(curr, newNode);\n}",
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"source": "Add an Element at an Index in a Linked List",
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"id": 14,
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"length": 264
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@ -5894,7 +5894,7 @@
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"length": 434
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},
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{
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"text": "If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you.",
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"text": "If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you.",
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"source": "This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life",
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"id": 1027,
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"length": 334
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@ -8617,12 +8617,6 @@
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"id": 1513,
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"length": 235
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},
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{
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"text": "To every thing there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance; a time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; a time to get, and a time to lose; a time to keep, and a time to cast away; a time to rend, and a time to sew; a time to keep silence, and a time to speak; a time to love, and a time to hate; a time of war, and a time of peace.",
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"source": "Ecclesiastes #3",
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"id": 1514,
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"length": 688
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},
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{
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"text": "Still, we will let all this be a thing of the past, though it hurts us, and beat down by constraint the anger that rises inside us. Now I am making an end of my anger. It does not become me, unrelentingly to rage on.",
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"source": "The Iliad",
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@ -9656,7 +9650,7 @@
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"length": 176
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},
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{
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"text": "We've known each other for many years but this is the first time you've ever come to me for counsel or for help. I can't remember the last time you invited me to your house for a cup of coffee, even though my wife is Godmother to your only child. But, let's be frank here. You never wanted my friendship and you were afraid to be in my debt.",
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"text": "We've known each other for many years but this is the first time you've ever come to me for counsel or for help. I can't remember the last time you invited me to your house for a cup of coffee, even though my wife is the Godmother to your only child. But, let's be frank here. You never wanted my friendship and you were afraid to be in my debt.",
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"source": "The Godfather",
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"id": 1698,
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"length": 341
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@ -10237,12 +10231,6 @@
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"id": 1798,
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"length": 357
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},
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{
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"text": "I can already hear your tune calling me across the room. When the world and his wife are on my back again, not enough pleasure too much pain. When the world is too much with me, please leave, just go away. Before I lose my mind completely, please leave, just go now. In the sidestreet something's moving look around, look around. All around you walls are tumbling down. Stop staring at the ground.",
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"source": "Swamp Thing",
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"id": 1799,
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"length": 397
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},
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{
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"text": "If you know what you're worth, go and get what you're worth. But you gotta be willing to take the hits, and not pointing fingers... saying you ain't where you wanna be because of him or her or anybody! Cowards do that, and that ain't you! You're better than that!",
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"source": "Rocky Balboa",
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@ -10369,12 +10357,6 @@
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"id": 1823,
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"length": 181
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},
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{
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"text": "All the blue light reflections that color my mind when I sleep. And the lovesick rejections that accompany the company I keep. All the razor perceptions that cut just a little too deep. Hey I can bleed as well as anyone, but I need someone to help me sleep.",
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"source": "Mrs. Potter's Lullaby",
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"id": 1824,
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"length": 257
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},
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{
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"text": "Of course, there are those who learn after the first few times. They grow out of sports. And there are others who were born with the wisdom to know that nothing lasts. These are the truly tough among us, the ones who can live without illusion, or without even the hope of illusion. I am not that grown-up or up-to-date. I am a simpler creature, tied to more primitive patterns and cycles. I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun.",
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"source": "A Great and Glorious Game: Baseball Writings of A. Bartlett Giamatti",
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@ -14252,12 +14234,6 @@
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"id": 2513,
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"length": 240
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},
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{
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"text": "Try to remember the kind of September when life was slow and oh, so mellow. Try to remember the kind of September when grass was green and grain so yellow. Try to remember the kind of September when you were a young and callow fellow. Try to remember and if you remember then follow. Try to remember when life was so tender that no one wept except the willow. Try to remember when life was so tender that dreams were kept beside your pillow. Try to remember when life was so tender, that love was an ember about to billow. Try to remember and if you remember then follow. Deep in December it's nice to remember, although you know the snow will follow. Deep in December it's nice to remember without a hurt the heart is hollow. Deep in December it's nice to remember the fire of September that made you mellow. Deep in December our hearts should remember then follow.",
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"source": "Try to Remember",
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"id": 2515,
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"length": 866
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},
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{
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"text": "All the world used her ill, said this young misanthropist... and we may be pretty certain that persons whom all the world treats ill, deserve entirely the treatment they get. The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice.",
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"source": "Vanity Fair",
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@ -14343,7 +14319,7 @@
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"length": 242
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},
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{
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"text": "I know that I am mortal by nature and ephemeral, but when I trace at my pleasure the windings to and fro of the heavenly bodies, I no longer touch earth with my feet. I stand in the presence of Zeus himself and take my fill of ambrosia.",
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"text": "I know that I am mortal by nature and ephemeral, but when I trace at my pleasure the windings to and from of the heavenly bodies, I no longer touch earth with my feet. I stand in the presence of Zeus himself and take my fill of ambrosia.",
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"source": "Almagest",
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"id": 2531,
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"length": 236
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@ -15309,7 +15285,7 @@
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"length": 189
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},
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{
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"text": "Do you know why I survived, professor, the night I got this. Because of her, because she sacrificed herself, because she refused to step aside, because her love was more powerful than Voldemort. Don't say his name. I'm not afraid of the name, professor. I'm going to tell you something, something others have only guessed at, it's true, I am the chosen one. Only I can destroy him, but to do so I need to know what Tom Riddle said to you all those years ago in your office, and I need to know what you told him. Be brave, professor, be brave like my mother. Otherwise, you disgrace her, otherwise she died for nothing.",
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"text": "Do you know why I survived, professor, the night I got this. Because of her, because she sacrificed herself, because she refused to step aside, because her love was more powerful than Voldemort. I'm not afraid of the name, professor. I'm going to tell you something, something others have only guessed at, it's true, I am the chosen one. Only I can destroy him, but to do so I need to know what Tom Riddle said to you all those years ago in your office, and I need to know what you told him. Be brave, professor, be brave like my mother. Otherwise, you disgrace her, otherwise she died for nothing.",
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"source": "Harry Potter and the Half-Blood Prince",
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"id": 2710,
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"length": 618
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@ -17666,12 +17642,6 @@
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"id": 3136,
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"length": 279
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},
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{
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"text": "And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee.",
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"source": "Ezekiel 25.17",
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"id": 3137,
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"length": 203
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},
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{
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"text": "I've been down, now I'm blessed. I felt a revelation coming around. I guess it's right, it's so amazing, every time I see you I'm alive. You're all I've got, you lift me up. The sun and the moonlight, all my dreams are in your eyes.",
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"source": "Inside Your Heaven",
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@ -20920,7 +20890,7 @@
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"length": 344
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},
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{
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"text": "A train equipped with, say, two dc motors, is started with both motors connected in series to an external resistor. As the speed picks up, the resistor is shorted out. The motors are then paralleled and connected in series with another resistor. Finally, the last resistor is shorted out, as the train reaches its nominal torque and speed.",
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"text": "A train equipped with, say, two DC motors, is started with both motors connected in series to an external resistor. As the speed picks up, the resistor is shorted out. The motors are then paralleled and connected in series with another resistor. Finally, the last resistor is shorted out, as the train reaches its nominal torque and speed.",
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"source": "Electrical Machines, Drives, and Power Systems",
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"id": 3724,
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"length": 339
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@ -22210,7 +22180,7 @@
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"length": 255
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},
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{
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"text": "When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.",
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"text": "When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddamn cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.",
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"source": "The Catcher in the Rye",
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"id": 3948,
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"length": 324
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@ -25011,12 +24981,6 @@
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"id": 4464,
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"length": 118
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},
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{
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"text": "The darker the night, the brighter the stars, the deeper the grief, the closer is God.",
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"source": "Crime and Punishment",
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"id": 4465,
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"length": 86
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},
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{
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"text": "I've heard there was a secret chord that David played, and it pleased the Lord, but you don't really care for music, do you? It goes like this: the fourth, the fifth, the minor fall, the major lift. The baffled king composing hallelujah.",
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"source": "Hallelujah",
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@ -28338,7 +28302,7 @@
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},
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{
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"text": "Life is what happens when you're busy making other plans.",
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"source": "John Lennon",
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"source": "Allen Saunders",
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"length": 57,
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"id": 5074
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},
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@ -31206,7 +31170,7 @@
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"id": 5655
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},
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{
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"text": "If I profane with my unworthiest hand\nThis holy shrine, the gentle fine is this:\nMy lips, two blushing pilgrims, ready stand\nTo smooth that rough touch with a tender kiss.",
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"text": "If I profane with my unworthiest hand. This holy shrine, the gentle sin is this: My lips, two blushing pilgrims, ready stand. To smooth that rough touch with a tender kiss.",
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"source": "Romeo, Romeo and Juliet",
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"length": 171,
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"id": 5656
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@ -32213,12 +32177,6 @@
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"length": 177,
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"id": 5852
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},
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{
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"text": "\"The past is so much less terrifying than the future,\" he explained after some coaxing. \"Even the most terrifying terrible era of the past is at least knowable. It can be studied. The world survived it. But in the present, one never knows when the whole world survived it. But in the present, one never knows when the whole world could come to a terrible, crashing end.",
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"source": "A Map of Days",
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"length": 369,
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"id": 5853
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},
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{
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"text": "But still, what is teamwork really when you get right down to it? Is it just about protecting each other and helping each other out? I guess most people would say so, but they're just fooling themselves. I think teamwork is more than that in the end. It's about individuals taking individual risks if you ask me. We work together by working separately. You stand up to risk your own life. You do what you can the best that you can, then you turn to the others and expect the same from them.",
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"source": "One Piece",
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"id": 6315
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},
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{
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"text": "If you've ever taken a road trip through the pacific northwest, you've probably seen a bumper sticker for a place called \"Gravity Falls\". It's not on any maps, and most people have never heard of it, some people think it's a myth. But if you're curious, don't wait. Take a trip. Find it. It's out there somewhere in the woods. Waiting.",
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"text": "If you've ever taken a road trip through the Pacific Northwest, you've probably seen a bumper sticker for a place called \"Gravity Falls\". It's not on any maps, and most people have never heard of it, some people think it's a myth. But if you're curious, don't wait. Take a trip. Find it. It's out there somewhere in the woods. Waiting.",
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"source": "Dipper, Gravity Falls",
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"length": 335,
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"approvedBy": "Smithster",
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@ -34497,7 +34455,7 @@
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"id": 6378
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},
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{
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"text": "If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only are there no happy endings, there are no happy beginning and very few happy things in the middle.",
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"text": "If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle.",
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"source": "A Series of Unfortunate Events: The Bad Beginning",
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"length": 222,
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"approvedBy": "Smithster",
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@ -36380,7 +36338,7 @@
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"id": 6675
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},
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{
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"text": "I don't recall saying anything about justice. Mathias and I are evil, too, after all. A knight doesn't bring justice, just more pain and violence. And what is evil if not violence? But what do you do when leaving evil alive leads to the rise of even greater evil? Even worse sorrow and pain? You destroy that evil, even if you have to use the evil of violence to do so. And every time you draw your sword, you hope that you take from this world more evil than you bring into it. THAT is the code of the Maximillian Knights. I'm putting you on notice. You, who so carelessly use the word \"justice,\" have no idea what it truly means. Though you strike me as more of a misguided coward than a villain, your evil deeds must still be punished.",
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"text": "I don't recall saying anything about justice. Mathias and I are evil, too, after all. A knight doesn't bring justice, just more pain and violence. And what is evil if not violence? But what do you do when leaving evil alive leads to the rise of even greater evil? Even worse sorrow and pain? You destroy that evil, even if you have to use the evil of violence to do so. And every time you draw your sword, you hope that you take from this world more evil than you bring into it. THAT is the code of the Maximillian Knights. I'm putting you on notice. You, who so carelessly use the word \"justice\", have no idea what it truly means. Though you strike me as more of a misguided coward than a villain, your evil deeds must still be punished.",
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"source": "Suikoden 5",
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"length": 738,
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"approvedBy": "Smithster",
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@ -36616,7 +36574,7 @@
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"id": 6724
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},
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{
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"text": "Now it's time for our wrap up. Let's give it everything we've got. Ready? Begin! Artificial amateurs aren't at all amazing. Analytically, I assault, animate things. Broken barriers bounded by the bomb beat. Buildings are broken, basically I'm bombarding. Casually create catastrophes, casualties. Canceling cats got their canopies collapsing. Detonate a dime of dank daily doin' dough. Demonstrations, Don Dada on the down low. Eatin' other editors with each and every energetic. Epileptic episode, elevated etiquette. Furious fat fabulous fantastic. Flurries of funk felt feeding the fanatics. Gift got great global goods gone glorious. Gettin' Godly in his game with the goriest. Hit 'em high, hella hype, historical. Hey holocaust hints hear 'em holler at your homeboy. Imitators idolize, I intimidate. In a instant, I'll rise in a irate state. Juiced on my jams like jheri curls, jockin' joints. Justly, it's just me, writin' my journals. Kindly I'm kindling all kinds of ink on. Karate kick type Brits in my kingdom. Let me live a long life, lyrically lessons is. Learned lame louses just lose to my livery. My mind makes marvelous moves, masses. Marvel and move, many mock what I've mastered. Nap knowin' I'm nice naturally. Knack, never lack, make noise nationally. Operation, opposition, off, not optional. Out of sight, out of mind, wide beaming opticals. Perfected poem, powerful punchlines. Pummeling petty powder puffs in my prime. Quite quaint quotes keep quiet it's Quannum. Quarrelers ain't got a quarter of what we got, uh. Really raw raps, risin' up rapidly. Riding the rushing radioactivity. Super scientifical sound search sought. Silencing super fire saps that are soft. Tales ten times talented, they're too tough. Take that, challengers, get a tune up. Universal, unique untouched. Unadulterated, the raw uncut. Verb vice Lord victorious valid. Violate vibes that are vain make 'em vanished. Why I'm all well, would a wise wordsmith. Just weaving up words weeded up, on my work shift. Xerox, my X-ray-diation holes extra large. X-height letters and xylophone tones. Yellow back, yak mouth, young ones yaws. Yesterday's lawn yards sell our yawn. Zig zag zombies, zoomin' to the zenith. Zero in zen thoughts, over zealous rhyme Zea-lots. Good, can you say it faster?",
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"text": "Now it's time for our wrap up. Let's give it everything we've got. Ready? Begin! Artificial amateurs aren't at all amazing. Analytically, I assault, animate things. Broken barriers bounded by the bomb beat. Buildings are broken, basically I'm bombarding. Casually create catastrophes, casualties. Canceling cats got their canopies collapsing. Detonate a dime of dank daily doin' dough. Demonstrations, Don Dada on the down low. Eatin' other editors with each and every energetic. Epileptic episode, elevated etiquette. Furious fat fabulous fantastic. Flurries of funk felt feeding the fanatics. Gift got great global goods gone glorious. Gettin' Godly in his game with the goriest. Hit 'em high, hella hype, historical. Hey holocaust hints hear 'em holler at your homeboy. Imitators idolize, I intimidate. In an instant, I'll rise in a irate state. Juiced on my jams like jheri curls, jockin' joints. Justly, it's just me, writin' my journals. Kindly I'm kindling all kinds of ink on. Karate kick type Brits in my kingdom. Let me live a long life, lyrically lessons is. Learned lame louses just lose to my livery. My mind makes marvelous moves, masses. Marvel and move, many mock what I've mastered. Nap knowin' I'm nice naturally. Knack, never lack, make noise nationally. Operation, opposition, off, not optional. Out of sight, out of mind, wide beaming opticals. Perfected poem, powerful punchlines. Pummeling petty powder puffs in my prime. Quite quaint quotes keep quiet it's Quannum. Quarrelers ain't got a quarter of what we got, uh. Really raw raps, risin' up rapidly. Riding the rushing radioactivity. Super scientifical sound search sought. Silencing super fire saps that are soft. Tales ten times talented, they're too tough. Take that, challengers, get a tune up. Universal, unique untouched. Unadulterated, the raw uncut. Verb vice Lord victorious valid. Violate vibes that are vain make 'em vanished. Why I'm all well, would a wise wordsmith. Just weaving up words weeded up, on my work shift. Xerox, my X-ray-diation holes extra large. X-height letters and xylophone tones. Yellow back, yak mouth, young ones yaws. Yesterday's lawn yards sell our yawn. Zig zag zombies, zoomin' to the zenith. Zero in zen thoughts, over zealous rhyme Zea-lots. Good, can you say it faster?",
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"source": "Alphabet Aerobics",
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"length": 2286,
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"approvedBy": "Smithster",
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"id": 6810
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},
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{
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"text": "You have no control who lives, who dies, who tells your story?",
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"text": "You have no control who lives, who dies, who tells your story.",
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"source": "Who Lives, Who Dies, Who Tells Your Story, Hamilton",
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"length": 62,
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"id": 6811
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@ -284,7 +284,7 @@
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"id": 47
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},
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{
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"text": "Grâce au Dispositif de Manipulation de Portail d'Aperture Science, l'impossible est facile.",
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"text": "Grâce au dispositif de manipulation de portail d'Aperture Science, l'impossible est facile.",
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"source": "GLaDOS - Portal (Valve)",
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"length": 91,
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"id": 48
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@ -722,7 +722,7 @@
|
|||
"id": 123
|
||||
},
|
||||
{
|
||||
"text": "Même quand je marcherais par la vallée de l'ombre de la mort, je ne craindrai aucun mal; car tu es avec moi : ta houlette et ton bâton, ce sont eux qui me consolent.",
|
||||
"text": "Même quand je marcherai par la vallée de l'ombre de la mort, je ne craindrai aucun mal; car tu es avec moi : ta houlette et ton bâton, ce sont eux qui me consolent.",
|
||||
"source": "Psaume 23:4 Bible Darby",
|
||||
"length": 165,
|
||||
"id": 124
|
||||
|
|
@ -1538,7 +1538,7 @@
|
|||
"id": 264
|
||||
},
|
||||
{
|
||||
"text": "J'ai envie de te dire oui mais je ne sais pas comment faire alors aide moi. je pense que ne nous sommes pas en mesure de répondre à ceci dans la mesure où la question posé est compliqué à répondre et je pense que pour y répondre nous devons déjà connaître comment l'analyser afin de pouvoir mieux l'appréhender et la terminer à tout jamais. Le principe même de la réflexion est important pour bien comprendre la question et son enjeu et donc pour moi un manque d'analyse sur une question est end.",
|
||||
"text": "J'ai envie de te dire oui mais je ne sais pas comment faire alors aide moi. je pense que ne nous sommes pas en mesure de répondre à ceci dans la mesure où la question posée est compliquée à répondre et je pense que pour y répondre nous devons déjà connaître comment l'analyser afin de pouvoir mieux l'appréhender et la terminer à tout jamais. Le principe même de la réflexion est important pour bien comprendre la question et son enjeu et donc pour moi un manque d'analyse sur une question est end.",
|
||||
"source": "fakes - aqf",
|
||||
"length": 496,
|
||||
"id": 265
|
||||
|
|
@ -3307,12 +3307,6 @@
|
|||
"length": 197,
|
||||
"id": 559
|
||||
},
|
||||
{
|
||||
"text": "\"lorsque quelqu'un veut trouver une gestuelle, lorsque vous voulez trouver comment vous comporter sur la scène, tout ce que vous avez à faire est d' \" écouter \" la musique. Le compositeur y a déjà pourvu. Si vous prenez la peine d'écouter avec votre Ame et avec vos Oreilles - et je dis \" Ame \" et \" Oreilles \" parce que \" le cerveau \" aussi doit fonctionner, mais \" pas trop \" - vous y trouverez chacun de vos gestes.\" Et c'est entièrement vrai, vous savez.",
|
||||
"source": "Maria Callas - Les conseils de Tullio Seraphin",
|
||||
"length": 458,
|
||||
"id": 560
|
||||
},
|
||||
{
|
||||
"text": "Annoncer une énormité dont le monde se récrie, la désavouer avec indignation, jurer ses grands dieux, se déclarer honnête homme, puis au moment où l'on se rassure et où l'on rit de l'énormité en question, l'exécuter.",
|
||||
"source": "Victor Hugo - Napoléon le petit",
|
||||
|
|
@ -5720,7 +5714,7 @@
|
|||
"id": 961
|
||||
},
|
||||
{
|
||||
"text": "A un moment de l'année bien précis, les feuilles commencent à devenir couleur feu, comme si elles brûlaient. A ce moment, les arbres se recroquevillent et l'air commence a devenir froid. Le Printemps vient d'arriver !",
|
||||
"text": "A un moment de l'année bien précis, les feuilles commencent à devenir couleur feu, comme si elles brûlaient. A ce moment, les arbres se recroquevillent et l'air commence à devenir froid. Le Printemps vient d'arriver !",
|
||||
"source": "Backtyper - Le Printemps",
|
||||
"length": 217,
|
||||
"id": 962
|
||||
|
|
|
|||
|
|
@ -650,7 +650,7 @@
|
|||
"id": 118
|
||||
},
|
||||
{
|
||||
"text": "Tu sei come un colibrì perché come il colibrì metti tutta la tua energia nel restare fermo. Settanta battiti d'ali al secondo per rimanere già dove sei. Riesci a fermarti nel mondo e nel tempo, riesci fermare il mondo è il tempo intorno a te, certe volte riesci addirittura anche a risalirlo, il tempo, e a ritrovare quello perduto, così come il colibrì è capace di volare all'indietro.",
|
||||
"text": "Tu sei come un colibrì perché come il colibrì metti tutta la tua energia nel restare fermo. Settanta battiti d'ali al secondo per rimanere già dove sei. Riesci a fermare il mondo e il tempo intorno a te, certe volte riesci addirittura anche a risalirlo, il tempo, e a ritrovare quello perduto, così come il colibrì è capace di volare all'indietro.",
|
||||
"source": "Sandro Veronesi, Il colibrì",
|
||||
"length": 386,
|
||||
"id": 119
|
||||
|
|
|
|||
|
|
@ -85,12 +85,6 @@
|
|||
"length": 43,
|
||||
"id": 13
|
||||
},
|
||||
{
|
||||
"text": "춤추라, 아무도 바라보고 있지 않은 것처럼. 사랑하라, 한번도 상처받지 않은 것처럼. 노래하라, 아무도 듣고 있지 않은것처럼. 일하라, 돈이 필요하지 않은 것처럼. 살라, 오늘이 마지막 날인 것처럼.",
|
||||
"source": "내 이름은 김삼순",
|
||||
"length": 111,
|
||||
"id": 14
|
||||
},
|
||||
{
|
||||
"text": "이 안에 너 있다. 니 맘 속에는 누가 있을지 모르지만 이 안에 너 있다.",
|
||||
"source": "파리의 연인",
|
||||
|
|
@ -127,18 +121,6 @@
|
|||
"length": 198,
|
||||
"id": 20
|
||||
},
|
||||
{
|
||||
"text": "오늘 생각했던 만큼 할 일을 다하지 못했어... 그치만 오늘 나는 내 힘에 20% 밖에 쓰지 않았지. 내일은 내가 100%로 해버리면 오늘 것도 단숨에 끝날 가라구. 그리고 내일도 그런 일은 없었다.",
|
||||
"source": "안녕, 나는 익명이고 너를 조아해",
|
||||
"length": 111,
|
||||
"id": 21
|
||||
},
|
||||
{
|
||||
"text": "달콤하고 꾸덕꾸덕한 브라우니에 부드러운 생크림이나 아이스크림을 얹어 먹는 거야. 너무너무 맛있어.",
|
||||
"source": "안녕, 나는 익명이고 너를 조아해",
|
||||
"length": 54,
|
||||
"id": 22
|
||||
},
|
||||
{
|
||||
"text": "슬프고 힘들 때에 마음을 추스르는 법은 제법 알고 있지만 슬픔에 익숙해졌을 때는 느껴도 어떻게 행복해야할지 모르는 순간도 생기곤 해. 슬플 때 힘이 되어준 누군가와 행복도 함께 나누어 보는 건 어때? 누군가에게 감정을 말하기 쑥스럽다면 일기장에 행복한 기분을 손이 가는대로 적어봐도 좋을 거야.",
|
||||
"source": "안녕, 나는 익명이고 너를 조아해",
|
||||
|
|
|
|||
|
|
@ -649,12 +649,6 @@
|
|||
"text": "Для преподавателя одна из самых больших радостей - наблюдать, как блестящий ученик демонстрирует свои знания. Всё равно что пустить по кругу молодого рысака. Хороший ученик этому радуется.",
|
||||
"length": 188
|
||||
},
|
||||
{
|
||||
"id": 111,
|
||||
"source": "Уайлдер Торнтон - Теофил Норт",
|
||||
"text": "Ад - это они.",
|
||||
"length": 13
|
||||
},
|
||||
{
|
||||
"id": 112,
|
||||
"source": "Фейнман Ричард - Вы, конечно, шутите, мистер Фейнман!",
|
||||
|
|
@ -1054,7 +1048,7 @@
|
|||
{
|
||||
"id": 184,
|
||||
"source": "Сэридзава Кодзиро - Улыбка Бога",
|
||||
"text": "Верущие готовы ценой собственной жизни защищать самые бесчеловечные обряды.",
|
||||
"text": "Верующие готовы ценой собственной жизни защищать самые бесчеловечные обряды.",
|
||||
"length": 75
|
||||
},
|
||||
{
|
||||
|
|
@ -3106,7 +3100,7 @@
|
|||
{
|
||||
"id": 541,
|
||||
"source": "Брускин Гриша - Прямые и косвенные дополнения",
|
||||
"text": "Кстати, любимым предметом Зямы был роскошный бильярд. Иде нравилось потрясающее ружьё с резьбой (мастер Навотный). Давид препочитал две пишущие машинки. Александр - заграничный патефон. Броня - изумительные серебряные ложки. Рися - вилки. Муля - мешок старинных монет. Моня - фарфоровую лошадь со всадником. Мэри - три камеи. Павлуша - потрясающие кии. Семьдесят семь штук! (Когда Магарасы уехали на Памир, я пошёл и продал их в гостиницу \"Москва\" за сто двадцать рублей.)лизнецы - часы с рисунками на эмали в рубенсовском стиле. Соня - большой туркменский ковёр пять на пять, как у Туркмен-баши. Дора - маленькие ковры под сёдла. Гидя - те, что вместо дверей служат.",
|
||||
"text": "Кстати, любимым предметом Зямы был роскошный бильярд. Иде нравилось потрясающее ружьё с резьбой (мастер Навотный). Давид предпочитал две пишущие машинки. Александр - заграничный патефон. Броня - изумительные серебряные ложки. Рися - вилки. Муля - мешок старинных монет. Моня - фарфоровую лошадь со всадником. Мэри - три камеи. Павлуша - потрясающие кии. Семьдесят семь штук! (Когда Магарасы уехали на Памир, я пошёл и продал их в гостиницу \"Москва\" за сто двадцать рублей.) Близнецы - часы с рисунками на эмали в рубенсовском стиле. Соня - большой туркменский ковёр пять на пять, как у Туркмен-баши. Дора - маленькие ковры под сёдла. Гидя - те, что вместо дверей служат.",
|
||||
"length": 667
|
||||
},
|
||||
{
|
||||
|
|
|
|||
Loading…
Add table
Reference in a new issue