mirror of
https://github.com/monkeytypegame/monkeytype.git
synced 2025-12-28 02:48:43 +08:00
chore: quote lengths script
This commit is contained in:
parent
6d1b4f38b6
commit
bfaa7b2dc4
4 changed files with 13 additions and 13 deletions
|
|
@ -5897,7 +5897,7 @@
|
|||
"text": "If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you.",
|
||||
"source": "This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life",
|
||||
"id": 1027,
|
||||
"length": 334
|
||||
"length": 316
|
||||
},
|
||||
{
|
||||
"text": "And it says to you love when you can, cry when you have to, be who you must. That's a part of the plan. Await your arrival with simple survival and one day we'll all understand.",
|
||||
|
|
@ -9653,7 +9653,7 @@
|
|||
"text": "We've known each other for many years but this is the first time you've ever come to me for counsel or for help. I can't remember the last time you invited me to your house for a cup of coffee, even though my wife is the Godmother to your only child. But, let's be frank here. You never wanted my friendship and you were afraid to be in my debt.",
|
||||
"source": "The Godfather",
|
||||
"id": 1698,
|
||||
"length": 341
|
||||
"length": 345
|
||||
},
|
||||
{
|
||||
"text": "This is the first day of my life. I swear I was born right in the doorway. I went out in the rain, suddenly everything changed; they're spreading blankets on the beach. Yours is the first face that I saw. I think I was blind before I met you. Now I don't know where I am, I don't know where I've been, but I know where I want to go.",
|
||||
|
|
@ -14322,7 +14322,7 @@
|
|||
"text": "I know that I am mortal by nature and ephemeral, but when I trace at my pleasure the windings to and from of the heavenly bodies, I no longer touch earth with my feet. I stand in the presence of Zeus himself and take my fill of ambrosia.",
|
||||
"source": "Almagest",
|
||||
"id": 2531,
|
||||
"length": 236
|
||||
"length": 237
|
||||
},
|
||||
{
|
||||
"text": "Excuse me. You have one of the largest auras I've ever seen. Green and black. It's been taking up this whole room. I just... I had to say something. You must have had hundreds of lives.",
|
||||
|
|
@ -15288,7 +15288,7 @@
|
|||
"text": "Do you know why I survived, professor, the night I got this. Because of her, because she sacrificed herself, because she refused to step aside, because her love was more powerful than Voldemort. I'm not afraid of the name, professor. I'm going to tell you something, something others have only guessed at, it's true, I am the chosen one. Only I can destroy him, but to do so I need to know what Tom Riddle said to you all those years ago in your office, and I need to know what you told him. Be brave, professor, be brave like my mother. Otherwise, you disgrace her, otherwise she died for nothing.",
|
||||
"source": "Harry Potter and the Half-Blood Prince",
|
||||
"id": 2710,
|
||||
"length": 618
|
||||
"length": 598
|
||||
},
|
||||
{
|
||||
"text": "It is important to notice that tolerance requires work. If people do not mind what others do, even when what those others do seems strange, alternative and remote, this is not tolerance; it is indifference. But tolerance is an active thing. It involves recognizing the right of others to be different from oneself, and allowing them the space and opportunity to speak from their different perspective and (under the usual constraint of not harming others) to live it out.",
|
||||
|
|
@ -22183,7 +22183,7 @@
|
|||
"text": "When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddamn cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.",
|
||||
"source": "The Catcher in the Rye",
|
||||
"id": 3948,
|
||||
"length": 324
|
||||
"length": 325
|
||||
},
|
||||
{
|
||||
"text": "The colors of the rainbow so pretty in the sky are also on the faces of people going by. I see friends shaking hands saying \"how do you do?\" They're really saying \"I love you.\"",
|
||||
|
|
@ -31172,7 +31172,7 @@
|
|||
{
|
||||
"text": "If I profane with my unworthiest hand. This holy shrine, the gentle sin is this: My lips, two blushing pilgrims, ready stand. To smooth that rough touch with a tender kiss.",
|
||||
"source": "Romeo, Romeo and Juliet",
|
||||
"length": 171,
|
||||
"length": 172,
|
||||
"id": 5656
|
||||
},
|
||||
{
|
||||
|
|
@ -34457,7 +34457,7 @@
|
|||
{
|
||||
"text": "If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle.",
|
||||
"source": "A Series of Unfortunate Events: The Bad Beginning",
|
||||
"length": 222,
|
||||
"length": 219,
|
||||
"approvedBy": "Smithster",
|
||||
"id": 6380
|
||||
},
|
||||
|
|
@ -36576,7 +36576,7 @@
|
|||
{
|
||||
"text": "Now it's time for our wrap up. Let's give it everything we've got. Ready? Begin! Artificial amateurs aren't at all amazing. Analytically, I assault, animate things. Broken barriers bounded by the bomb beat. Buildings are broken, basically I'm bombarding. Casually create catastrophes, casualties. Canceling cats got their canopies collapsing. Detonate a dime of dank daily doin' dough. Demonstrations, Don Dada on the down low. Eatin' other editors with each and every energetic. Epileptic episode, elevated etiquette. Furious fat fabulous fantastic. Flurries of funk felt feeding the fanatics. Gift got great global goods gone glorious. Gettin' Godly in his game with the goriest. Hit 'em high, hella hype, historical. Hey holocaust hints hear 'em holler at your homeboy. Imitators idolize, I intimidate. In an instant, I'll rise in a irate state. Juiced on my jams like jheri curls, jockin' joints. Justly, it's just me, writin' my journals. Kindly I'm kindling all kinds of ink on. Karate kick type Brits in my kingdom. Let me live a long life, lyrically lessons is. Learned lame louses just lose to my livery. My mind makes marvelous moves, masses. Marvel and move, many mock what I've mastered. Nap knowin' I'm nice naturally. Knack, never lack, make noise nationally. Operation, opposition, off, not optional. Out of sight, out of mind, wide beaming opticals. Perfected poem, powerful punchlines. Pummeling petty powder puffs in my prime. Quite quaint quotes keep quiet it's Quannum. Quarrelers ain't got a quarter of what we got, uh. Really raw raps, risin' up rapidly. Riding the rushing radioactivity. Super scientifical sound search sought. Silencing super fire saps that are soft. Tales ten times talented, they're too tough. Take that, challengers, get a tune up. Universal, unique untouched. Unadulterated, the raw uncut. Verb vice Lord victorious valid. Violate vibes that are vain make 'em vanished. Why I'm all well, would a wise wordsmith. Just weaving up words weeded up, on my work shift. Xerox, my X-ray-diation holes extra large. X-height letters and xylophone tones. Yellow back, yak mouth, young ones yaws. Yesterday's lawn yards sell our yawn. Zig zag zombies, zoomin' to the zenith. Zero in zen thoughts, over zealous rhyme Zea-lots. Good, can you say it faster?",
|
||||
"source": "Alphabet Aerobics",
|
||||
"length": 2286,
|
||||
"length": 2287,
|
||||
"approvedBy": "Smithster",
|
||||
"id": 6725
|
||||
},
|
||||
|
|
|
|||
|
|
@ -724,7 +724,7 @@
|
|||
{
|
||||
"text": "Même quand je marcherai par la vallée de l'ombre de la mort, je ne craindrai aucun mal; car tu es avec moi : ta houlette et ton bâton, ce sont eux qui me consolent.",
|
||||
"source": "Psaume 23:4 Bible Darby",
|
||||
"length": 165,
|
||||
"length": 164,
|
||||
"id": 124
|
||||
},
|
||||
{
|
||||
|
|
@ -1540,7 +1540,7 @@
|
|||
{
|
||||
"text": "J'ai envie de te dire oui mais je ne sais pas comment faire alors aide moi. je pense que ne nous sommes pas en mesure de répondre à ceci dans la mesure où la question posée est compliquée à répondre et je pense que pour y répondre nous devons déjà connaître comment l'analyser afin de pouvoir mieux l'appréhender et la terminer à tout jamais. Le principe même de la réflexion est important pour bien comprendre la question et son enjeu et donc pour moi un manque d'analyse sur une question est end.",
|
||||
"source": "fakes - aqf",
|
||||
"length": 496,
|
||||
"length": 498,
|
||||
"id": 265
|
||||
},
|
||||
{
|
||||
|
|
|
|||
|
|
@ -652,7 +652,7 @@
|
|||
{
|
||||
"text": "Tu sei come un colibrì perché come il colibrì metti tutta la tua energia nel restare fermo. Settanta battiti d'ali al secondo per rimanere già dove sei. Riesci a fermare il mondo e il tempo intorno a te, certe volte riesci addirittura anche a risalirlo, il tempo, e a ritrovare quello perduto, così come il colibrì è capace di volare all'indietro.",
|
||||
"source": "Sandro Veronesi, Il colibrì",
|
||||
"length": 386,
|
||||
"length": 347,
|
||||
"id": 119
|
||||
},
|
||||
{
|
||||
|
|
|
|||
|
|
@ -1049,7 +1049,7 @@
|
|||
"id": 184,
|
||||
"source": "Сэридзава Кодзиро - Улыбка Бога",
|
||||
"text": "Верующие готовы ценой собственной жизни защищать самые бесчеловечные обряды.",
|
||||
"length": 75
|
||||
"length": 76
|
||||
},
|
||||
{
|
||||
"id": 185,
|
||||
|
|
@ -3101,7 +3101,7 @@
|
|||
"id": 541,
|
||||
"source": "Брускин Гриша - Прямые и косвенные дополнения",
|
||||
"text": "Кстати, любимым предметом Зямы был роскошный бильярд. Иде нравилось потрясающее ружьё с резьбой (мастер Навотный). Давид предпочитал две пишущие машинки. Александр - заграничный патефон. Броня - изумительные серебряные ложки. Рися - вилки. Муля - мешок старинных монет. Моня - фарфоровую лошадь со всадником. Мэри - три камеи. Павлуша - потрясающие кии. Семьдесят семь штук! (Когда Магарасы уехали на Памир, я пошёл и продал их в гостиницу \"Москва\" за сто двадцать рублей.) Близнецы - часы с рисунками на эмали в рубенсовском стиле. Соня - большой туркменский ковёр пять на пять, как у Туркмен-баши. Дора - маленькие ковры под сёдла. Гидя - те, что вместо дверей служат.",
|
||||
"length": 667
|
||||
"length": 670
|
||||
},
|
||||
{
|
||||
"id": 542,
|
||||
|
|
|
|||
Loading…
Add table
Reference in a new issue